Tell us a little about your childhood. How did school and where you live influence your choice to join the video game community?

I grew up on the east coast of Australia, in a little town called Maclean. Maclean is about fifteen minutes from the beach and so I spent a lot of my younger years surfing. My father bought a C64, and surfing gave way to playing the SSI Gold Box games and the classic Bard’s Tale Trilogy.

I went to the University in Newcastle, Australia, where I spent most of my time playing games, surfing and avoiding Geology, Philosophy and Literature classes. By the time I left Australia for Norway, I was certain I was going to be a game designer or a writer, I just wasn't sure which.

Besides games what other influences brought you into your career? Whether it is books, movies, or artwork everyone has different tastes, tell us about yours.

I've always been a fanatical reader, absorbing whatever I can get my hands on. I'm a huge fan of Lovecraft, and the steady feeling of growing dread that you get as you read a Lovecraft story is something that I have tried to recreate in the dungeons in the game.

I admire the work of Stephen King, especially his Dark Tower series, and anything by Neil Gaiman is worth the read.

I'm also a huge fan of Brom's art. His work on Dark Sun for TSR was awe inspiring. I also recently picked up Mind Fields which features Jacek Yerka's art and Harlan Ellison's short stories. It's a great way to get the inspiration juices flowing.I've always been a fanatical reader, absorbing whatever I can get my hands on. I'm a huge fan of Lovecraft, and the steady feeling of growing dread that you get as you read a Lovecraft story is something that I have tried to recreate in the dungeons in the game.

I admire the work of Stephen King, especially his Dark Tower series, and anything by Neil Gaiman is worth the read.

What was your first job in games? What other games have you worked on?

Dare I admit that Conan is my first? I made a lot of modules for NWN back in the day, and I've also written several short films and stories, but Conan is my first foray into the world of professional game design.

I'm an early riser so I usually get to the office around seven, while the cleaners are still there. I've found that I tend to produce a greater quality and quantity of writing early in the morning, so I stick to dialogue until everybody arrives. Then, after the morning meeting, I usually work on quest designs or tweaks.

If I have some new designs, there will generally be a meeting with an Associate Producer, a Gameplay Designer, a GFX artist, a World Designer and another Quest Designer. The designs will be critiqued and tweaked by each profession until we have a quest that will work, will be true to lore and, above all, will be fun to play. It can be a harrowing process, having my work critiqued so early in the process, but in the end it will make for a better game.

I usually round off the day with implementation and bug squashing, both relatively technical tasks that give me time to think of new quest ideas.

My wife, Suzette, has been a great influence. She's a psychologist and has some very interesting insights into what it is that attracts people to different types of games. She's been very supportive of late nights and deadline grind. She's a huge fan of anything made by Bioware or Obsidian.

My best friend, Schaeffer, is a huge FPS fan and pretty much introduced me to the concept of the casual player. No doubt later this month, he'll make me play through Halo 3 on co-op mode. Finally I have a circle of friends who I simply refer to as "The Economists". They all have interesting insights into games and gaming as a market force and some very good ideas about online economies and their evolution.

In single player games, I am looking forward to gaming systems catching up to graphics. I've played no modern CRPG's that come close to offering the choice and consequence seen in a game such as Arcanum or Fallout, while still managing to tell an engrossing story. And those games were made close to a decade ago.

Multiplayer games, especially MMORPG's, are already moving in the right direction. Developers are giving players the tools to realize their own adventures; just one example is player cities aspect of Conan. I hope that choice and consequence in online games continues to grow and that eventually every MMO player will be able to influence the world they play in, just as we do in the real world.

Age of Conan gets better every day. Every time I see a new version there is something to gawk at. An example is that today I drew my weapon… and I watched in amazement as my character gritted his teeth in preparation for combat. Sure, it isn't the kind of feature that makes or breaks a game, but all the pieces of the game have really started to come together.

As an IP, Conan is a blessing and a curse. A curse because there are so many iterations of Conan that have existed before this game and we can never be certain which side of Conan people have seen. Have potential players read the Howard stories, or have they only seen the movies? Are they fans of the comics, or perhaps they are into the pastiche novels? The IP is a blessing because of what it is, Conan. There are very few characters that resonate as strongly after a century in print as Conan does, and we're trying our hardest to do him justice. We hope that the fans will agree.

Almost everybody at Funcom reads the forums and any news postings about our game. Your feedback is heard, if not always acknowledged, and we appreciate the support we have been getting from fans, not just of MMORPGs in general, but of Howards work who hope that we are creating something truly worthy.

Come March, we hope you won't be disappointed.